“’Hypocrisy is a trendy sin, so like all trendy sins, it is a virtue’, This is the basic idea of Don Juan’s last monologue, which reflects Moliere’s scathing view of hypocrisy. Much as Moliere wanted to ‘tarnish’ Don Juan’s character, he actually elicited sympathy from the audience, and eventually turned Don Juan into a hero.
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Last event date: Sunday, February 23 2025 5:00PM
A hero who does not comply with life’s conventional rules, and who in the end, is condemned by those ‘rules’ to burn in hell. Donna Elvira’s abduction from the convent, or Donna Anna’s seduction at her husband’s grave, point to Moliere’s personal relationship with God and the Church. Don Juan’s drama thus presents a psychological analysis of the relationship between the world of humans and the superhuman spiritual realm.” (Aleksandar Popovski)
Camille Saint-Saëns: Cello Concerto No. 1 in A minor, Op. 33 Anton Bruckner: Symphony No. 7 in E major, WAB 107
Songs from the World (traditional songs and song arrangements by Zoltán Kodály Max Knigge, Naomi Shemer, Françoise Leleu, Michael Neaum and Arvo Pärt) Gustav Mahler: Symphony No. 1 in D major “Titan”
Program: Robert Schumann: Symphony No. 3 in E-flat major, Op. 97 (“Rhenish”) Richard Wagner Die Walküre – Act 3, Scene 3
In the BFO’s early music concert, ethereal dance movements alternate with arias about burning passion.
Wolfgang Amadeus Mozart: Die Zauberflöte (The Magic Flute), K. 620
Iván Fischer was requested by the Berlin Konzerthaus to compose an opera for children based on Julia Donaldson and Axel…
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