Program


C'est la guerre / Lysistrate (hangv.)

C'est la guerre / Lysistrate (hangv.)

Emil Petrovics: C'est la guerre; Lysistrate
Concert performance, in Hungarian, with Hungarian and English surtitles

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Last event date: Saturday, June 10 2017 11:00AM

„Rather than find out – you have to find. You have to find the tones. As to which ones, this will be determined by your biological makeup. You have to find – that's the secret.” With these words, Emil Petrovics (1930-2011) expressed his ars poetica. The early 1960s yielded two of his one-acts: his overwhelmingly successful musical drama C’est la guerre and the comic opera Lysistrata, which he later revised in 1971. In the former, premiered at the Opera House in 1962, he created in the wheelchair-bound retired officer and the caretaker's wife two aggressive and complementary representatives of the political regime. Based on the comedy by Aristophanes and premiered at the Opera House in 1971, Lysistrata was intended, as the composer put it, “to shape into notes the image of Hellenism that emanates from the legends and their associations.”

C'est la guerre

General cast:

Conductor: Ádám Medveczky
Husband: Károly Szemerédy
Wife: Zita Váradi
Deserter: Attila Fekete
Vizavi: János Szerekován
Caretaker's Wife: Bernadett Wiedemann
First officer: Zsolt Haja
Second officer: Zsolt Molnár
Third officer: László Haramza
Gendarme: Antal Bakó

Credits:

Chorus director: Máté Szabó Sipos
Featuring: Dohnányi Orchestra Budafok / Kodály Choir Debrecen

Premiere: June 10, 2017

Lysistrate

General cast:

Conductor: Ádám Medveczky
Soprano: Ildikó Szakács
Mezzo: Lúcia Megyesi Schwartz
Male chorus leader: István Horváth

Credits:

Chorus director: Máté Szabó Sipos
Featuring: Dohnányi Orchestra Budafok / Kodály Choir Debrecen

Premiere: June 10, 2017

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For almost a quarter of a century, the Festival Orchestra’s program series for children has brought a high-quality classical musical experience to the youngest. The orchestra’s rehearsal room not only serves experimenting with the tiniest details of the symphonic pieces to be performed or playing chamber music, but also as the venue for educating the next generation of classical music lovers.

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