Johann Sebastian Bach: Orchestral Suite No. 3 in D major, BWV 1068
Wolfgang Amadeus Mozart: Piano Concerto No. 20 in D minor, K. 466
Pyotr Tchaikovsky: Symphony No. 4 in F minor
Emanuel Ax (piano)
Conductor: Iván Fischer
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Last event date: Saturday, October 21 2017 3:30PM
The Budapest Festival Orchestra is unique amongst the world’s symphony orchestras for having its own baroque ensemble. So it is no coincidence that, this year, the spotlight will fall on the BFO’s early music ensemble and J. S. Bach.
Iván Fischer begins every Festival Orchestra rehearsal with a Bach chorale, an intonation exercise to relax the players upon arrival. This season, our audience will have three opportunities to experience such intimacy when we connect symphony concerts with baroque music-making, by opening with works by Bach on period instruments. “The orchestra of the future resembles a production company; it can stage symphonic, early music and contemporary concerts, not to mention operas. And it can even function as a choir” – says Fischer.
Our autumn concert will feature Bach’s Third Orchestral Suite, the autograph of which was discovered by Mendelssohn. The ‘Air’ movement has become an integral part of our everyday lives; you can hear it in lifts, when you’re on hold during a phone call, at weddings or in romantic film scenes.
Seven-time Grammy Award-winning pianist Emanuel Ax would be a perfect complement to the “orchestra of the future”. A devotee of contemporary composers, with several world premières in recent years, he is going to be playing a true classic with the BFO, Mozart’s Piano Concerto No. 20 in D minor, a serious, profound, yet popular work.
Tchaikovsky struggles with impending doom in his Fourth Symphony, but ultimately he prescribes happiness as a panacea for all. The composer put a great amount into this piece and he loved it much more than anything he had composed up till then. There were many at the première who doubted the symphony’s power, it was considered a semi-barbarian, unfinished piece. But today it has found its rightful place in the symphonic repertoire.
Jörg Widmann is a musical polymath par excellence. He is not only one of the greatest living masters of his instrument, the clarinet, but also an excellent composer, orchestrator and conductor. His compositions are palatable, entertaining, thought-provoking, and inventive. His programs are harmonious and carefully selected.
The concert conducted by the Grammy Award-winning ambassador of 20th and 21st century music will span several continents. David Robertson is not only renowned for creating a good atmosphere between himself and the orchestras he works with, his outstanding musicality and his clean gestures, but also for his imaginative, adventurous and exciting programs.
december 26. péntek 19.45 Budapest Kongresszusi Központ Johann Sebastian Bach: Karácsonyi oratórium – 1., 2., 3. és 6. kantáta, BWV 248 Julian Prégardien (tenor) Julija Lezsnyeva (szoprán) Olivia Vermeulen (mezzoszoprán) Hanno Müller-Brachmann (basszbariton) Collegium Vocale Gent (művészeti vezető: Philippe Herreweghe) vezényel: Fischer Iván
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